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DESIGNED FOR THE TEAMS THAT MAKE SHOWS HAPPEN

Every show starts with a date.

Whether you run the room, book the talent, or sell it — every dollar starts as a date on a calendar.
BookingAgent puts every hold, every offer, and every settlement in one live view — so no date slips, no deal dies quietly, and nobody’s guessing.

One room or a ten-market run. Promoters, co-pros, rentals, a roster on the road. When the operation grows past what one brain can track, this is the one source of truth everything runs on.

Event Calendar
Event Calendar

The calendar is the business

Everything you book starts with a date. If the calendar’s wrong, everything downstream is wrong.
VISIBILITY

A calendar your whole operation actually believes & trusts

This business runs on calendars nobody fully trusts — so people double-check, double-book, and keep private spreadsheets on the side. BookingAgent gives your calendar a single source of truth: every date is one live record with one unambiguous status, every hold is tied to a real offer, and every change lands everywhere at once — across every room, every market, every artist, every deal.

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ONE DATE, ONE RECORD

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SHARED WITH CO-PROS & PROMOTERS

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CHANGES LAND EVERYWHERE AT ONCE

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HOLDS TIED TO REAL OFFERS

HOLDS

Never lose a date you could have booked

Dates die quietly on both sides of the deal — a hold lapses, an agent moves on, a Friday goes dark, a routing collapses because one missed follow up. Every hold carries its own expiration with the offer behind it, releases automatically when it lapses, and shows exactly what's on the table when a date gets challenged. The calendar defends the date so you don't have to.

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Multi-tiered holds

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Auto-expiration

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Offer-linked

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Challenge-ready

INQUIRIES

Every inquiry is future revenue. Treat it that way

The show that never happened usually didn't say no — it got lost. Whether it's a buyout inquiry for a dark Tuesday or a band pitching the room, every inbound lands with room, date, and value attached — private events become tracked deals, incoming artists become a bench you book from when a date opens. Every lead gets booked or a real answer. Nothing just evaporates.

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PRIVATE EVENT LEAD CAPTURE

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INCOMING ARTIST PIPELINE

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SITE & EMBED FORMS

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VALUE TRACKED FROM FIRST TOUCH

PROFITABILITY

Know how the show actually landed

Every show produces one document both sides have to trust: the settlement. BookingAgent builds it live — guarantees, versus deals, splits, and expenses calculating against actuals as the night fills in — so by payout, the sheet is a review, not a rebuild. Then the internal story: bar and F&B, merch splits, sponsorship, parking, and fees roll into a full event P&L, so the house knows what the night actually made and the artist side knows what the run actually netted. External truth on one sheet, internal truth on your own.

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Ticket, bar, and F&B revenue

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Ancillary income tracked

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Complete event P&L

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Auto-calculated splits and payouts

CONNECTED WORKFLOW

One system from first hold to final payout

Offers become holds. Confirmations become tasks and templates. Events become invoices. Settlements become payouts.Nothing re-entered, nothing dropped between tools, no matter which side of the deal you’re on.
Connected flowConnected flow
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Offers

Accepted offers convert into calendar holds without re-entry.

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Advancing

Confirmed dates create the tasks, owners, and deadlines needed to get the show ready. Event templates carry ticket structure, schedules, ROS and more automatically from Offer to Event.

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Artist Database

Every artist you’ve booked, pitched, or paid — history, deals, and contacts in one record that follows them from show to show.

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Payments

Settlements close on the numbers everyone already agreed to — and payouts get tracked all in the same place. Guarantees, splits, and commissions track through every deal, so everyone's cut is calculated, not chased.

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EVERY DEAL, DATE, AND DOLLAR IN ONE PLACE

Ready to run it like one business, not 10 spreadsheets?

We'll bring your existing events, templates, and contacts over — most teams are live in an afternoon. Thirty days, money back, no contract.

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